{"id":31242,"date":"2017-07-14T09:02:39","date_gmt":"2017-07-14T13:02:39","guid":{"rendered":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/?p=31242"},"modified":"2018-02-22T17:34:16","modified_gmt":"2018-02-22T22:34:16","slug":"texas-dp-caroline-wozniacki-espn-mag-body-issue","status":"publish","type":"post","link":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/2017\/texas-dp-caroline-wozniacki-espn-mag-body-issue\/","title":{"rendered":"Texas Director of Photography with Caroline Wozniacki for ESPN The Mag"},"content":{"rendered":"
\"ESPN
Photo Credit: ESPN The Magazine<\/figcaption><\/figure>\n
Bare and Behind the Scenes<\/h5>\n

I probably say this too much but I love being booked on cool shoots. Anytime you get booked by ESPN<\/a> you know you\u2019re going to have a good day. Earlier this year I got to work on another Body Issue<\/a> shoot as Go To Team’s Texas Director of Photography. This time I shot behind the scenes for the photo shoot with tennis pro, Caroline Wozniacki<\/a>.<\/p>\n

\"ESPN
Photo Credit: ESPN The Magazine<\/figcaption><\/figure>\n

I was shooting on the C300 mrk1, but I stuck to the Canon<\/a> 24-70 f2.8 for most of the shots of the crew setting up. I also put the 70-200mm and 16-35mm to work. Later in the day, I pulled out my 85mm f1.2 for some slider shots and low angle shots of Caroline laying on some clay imported from Italy.<\/p>\n

\"ESPN
Photo Credit: ESPN The Magazine<\/figcaption><\/figure>\n

We ended the day with a short interview. I used two Lite Panels and my 85mm prime lens for the interview. I really had a blast working this shoot. It might be my favorite Body Issue shoot to date. And the piece turned out awesome.<\/p>\n

Read up on more of her\u00a0story here<\/a>.<\/p>\n

 <\/p>\n