{"id":11753,"date":"2011-04-04T09:00:44","date_gmt":"2011-04-04T13:00:44","guid":{"rendered":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/?p=11753"},"modified":"2016-05-12T17:07:05","modified_gmt":"2016-05-12T21:07:05","slug":"the-pro35-adapter-for-the-pros","status":"publish","type":"post","link":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/2011\/the-pro35-adapter-for-the-pros\/","title":{"rendered":"The Pro35 Adapter For The Pros, shooting with Prime Lenses on HD cameras"},"content":{"rendered":"<div class=\"mceTemp mceIEcenter\" style=\"text-align: left;\">\n<dl id=\"attachment_11806\" class=\"wp-caption  aligncenter\" style=\"width: 310px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11806\" title=\"SAM_1212\" src=\"http:\/\/s3.amazonaws.com\/assets.gototeam.com\/wp-content\/uploads\/2011\/04\/12195133\/SAM_1212-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/dt>\n<dd class=\"wp-caption-dd\">Sam Elliot On Stage 2B On The Fox Lot<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: left;\">When Go To Team made the investment in a set of Arri Ultra Primes for their new Sony F3, everyone realized that there was potential for those lenses to work on more than just the F3.\u00a0 The Panasonic Varicam, Sony F900, and Panasonic HDX-900 cameras that Go To Team owns are great cameras for these lenses.\u00a0 You just have to get them on those cameras!\u00a0 <\/p>\n<p>Enter the P+S Technik Pro35 adapter.\u00a0 This isn\u2019t just any adapter ring or rig.\u00a0 It\u2019s the very best there is.\u00a0 The Pro35 has a PL mount on the front for 35mm lenses and a B4 mount on the back for standard 2\/3 inch broadcast cameras.\u00a0 Between these two mounts is a piece of ground glass that vibrates at a fast rate to create a sort of projection screen for the image from the cinema lenses to appear on.\u00a0 From there the image is resized for the 2\/3 inch CCD found on all our HD cameras.\u00a0 Perfect \u2013 you get the depth you hope for out of cinema lenses but with the convenience of HD broadcast formats.\u00a0 <\/p>\n<p>Go To Team\u2019s Los Angeles based crew, Skip Clark, premiered the Pro35 on a shoot on the Fox lot with actor Sam Elliot while shooting stand-ups for a feature that aired in the Super Bowl.\u00a0 He then used the new\u00a0 adapter in Daytona at Fox Sports\u2019 artwork shoot with all the drivers.\u00a0 He mounted the Pro35 to his Varicam and added the company\u2019s Arri Ultra Primes to add that cinema quality to all of the stand-ups in LA and the garage portraits in Daytona.<\/p>\n<p style=\"text-align: left;\">\n<p style=\"text-align: left;\">\n<div class=\"mceTemp mceIEcenter\" style=\"text-align: left;\">\n<dl id=\"attachment_11807\" class=\"wp-caption    aligncenter\" style=\"width: 310px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11807\" title=\"SAM_1214\" src=\"http:\/\/s3.amazonaws.com\/assets.gototeam.com\/wp-content\/uploads\/2011\/04\/12195133\/SAM_1214-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/dt>\n<dd class=\"wp-caption-dd\">The Pro35 Adapter Paired With A 50mm Lens And Mounted On The Varicam<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: left;\">\n<p style=\"text-align: left;\">\n<div class=\"mceTemp mceIEcenter\" style=\"text-align: left;\">\n<dl id=\"attachment_11808\" class=\"wp-caption    aligncenter\" style=\"width: 310px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11808\" title=\"SAM_1386\" src=\"http:\/\/s3.amazonaws.com\/assets.gototeam.com\/wp-content\/uploads\/2011\/04\/12195133\/SAM_1386-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/dt>\n<dd class=\"wp-caption-dd\">The Pro35 Adapter Working In Daytona<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: left;\">\n","protected":false},"excerpt":{"rendered":"<p>Sam Elliot On Stage 2B On The Fox Lot When Go To Team made the investment in a set of Arri Ultra Primes for their new Sony F3, everyone realized that there was potential for those lenses to work on more than just the F3.\u00a0 The Panasonic Varicam, Sony F900, and Panasonic HDX-900 cameras that [&hellip;]<\/p>\n","protected":false},"author":46,"featured_media":26971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[279],"tags":[1549,1246,47,171,1468,163,113,952,33,1550,239,1551,976,1545,241],"_links":{"self":[{"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/posts\/11753"}],"collection":[{"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/comments?post=11753"}],"version-history":[{"count":0,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/posts\/11753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/media\/26971"}],"wp:attachment":[{"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/media?parent=11753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/categories?post=11753"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/120.72.95.94:55167\/assignmentdesk\/site\/wp-json\/wp\/v2\/tags?post=11753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}